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Viewing entries from category: War

Casablanca Single Film Study »

Viki Walden | Friday September 01, 2017

Categories: A Level, WJEC A Level, Analysis, Film Analysis, Films & Case Studies, American, Casablanca, Directors, Martin Scorsese, Genres & Case Studies, Adventure, Drama, Film Noir, Romance, War

YouTube Link: https://www.youtube.com/watch?v=jQTWfGOv1JY

Copyright © 2017 Edusites. All rights reserved. Permission granted to reproduce for educational use within the subscribing school only. Copying or lending of any part of this document in any form or by any means to external bodies and / or individuals is prohibited.

EDUQAS Film Studies Paper 1

Section A: Hollywood 1930-1990
Component Group 2: Hollywood 1960-1990

These tasks require you study all films with particular reference to responding to questions in the key areas:

  • Film Language
  • Film Meaning
  • Film Context
...[ read full article ] »

Apocalypse Now Single Film Study »

James Clarke | Tuesday September 13, 2016

Categories: A Level, WJEC A Level, Analysis, Film Analysis, Films & Case Studies, Directors, Fancis Ford Coppola, Hollywood Films, Apocalypse Now, Genres & Case Studies, Drama, War

YouTube Link: https://www.youtube.com/watch?v=snDR7XsSkB4

Copyright © 2017 Edusites. All rights reserved. Permission granted to reproduce for educational use within the subscribing school only. Copying or lending of any part of this document in any form or by any means to external bodies and / or individuals is prohibited.

Eduqas Film Studies Paper 1

Section A: Hollywood 1930 - 1990
Component Group 2: New Hollywood 1961-1990

These tasks require you study all films with particular reference to responding to questions in the key areas:

  • Film Language
  • Film Meaning
  • Film...
[ read full article ] »

OCR A2 Film Sec A Messages and Values in Global Film: Battleship Potemkin & Les Quatre Cents Coups »

Rob Miller | Tuesday September 15, 2015

Categories: A Level, OCR A Level, OCR A2, Analysis, Film Analysis, Films & Case Studies, World Cinema, Battleship Potemkin, Les Quatre Cents Coups, Genres & Case Studies, Crime, Drama, History, War

1. How is style and theme used in communicating messages and values in the films you have studied? (50)

The two films I have studied are Sergei Eisenstein’s Battleship Potemkin from 1925 and Francois Truffaut’s Les Quatre Cents Coups (The 400 Blows) from 1959. Both films are encoded with a filmmaking style that both reflects a period in cinematic history and also with narrative themes deeply embedded revealing underlying messages and values.

Potemkin’ is considered a classic of 1920s silent soviet cinema with Eisenstein directing films alongside famous...

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OCR A2 Film Sec A Messages and Values in Global Film: Battleship Potemkin & Good Bye, Lenin! »

Rob Miller | Friday September 11, 2015

Categories: A Level, OCR A Level, OCR A2, Analysis, Film Analysis, Films & Case Studies, Non-Hollywood Films, Goodbye Lenin, World Cinema, Battleship Potemkin, Genres & Case Studies, Comedy, Drama, History, Romance, War

  • Battleship Potemkin (Russia, 1925)
  • Good Bye, Lenin! (Germany, 2003)

Battleship Potemkin

  • https://www.youtube.com/watch?v=UNT6xyopdBs (whole film)

Historical, Socio-political and Cultural Issues incorporating Authorship

Battleship Potemkin (Potemkin) is a film rooted in Russian history, a fragile peasant economy was ruled by a Tsarist autocracy until revolution and war in 1905 saw a wave of mass political and social unrest spread through the Russian Empire. This included strikes, peasant unrest and military mutinies. It was the latter that Potemkin explored by...

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The Battle of Algiers (1966) Case Study »

Rob Miller | Wednesday October 29, 2014

Categories: A Level, WJEC A Level, WJEC A2, FM4, Section C: Single Film Critical Study, Analysis, Film Analysis, Films & Case Studies, World Cinema, The Battle of Algiers, Genres & Case Studies, Crime, Drama, History, War, Hot Entries, Key Concepts, Audience, Film Language, Representation

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FM4 Section C Single Film - Critical Study

The whole film can be watched here.

In 2010, The Guardian newspaper published a story entitled “Algeria (national football squad) prepare for World Cup battle by watching The Battle of Algiers.”. Given the centrality of football to our contemporary popular culture, this incident might offer some suggestion of the cyclical power of cultural discourse and the transmission of a given film text’s thematic content in terms of the process of how it is decoded and appropriated by particular audiences at...

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The Impact of World War Two on British Cinema »

James Clarke | Tuesday December 03, 2013

Categories: A Level, OCR A Level, OCR AS, Analysis, Film Analysis, Film History, Cinema in Context, Film Industry, Censorship & Regulation, Copyright & Licensing, Film Distribution, Film Marketing, Film Publicity, Film Promotion, Production Companies, Films & Case Studies, Non-Hollywood Films, In Which We Serve, The Life and Death of Colonel Blimp, Genres & Case Studies, Drama, Romance, War, Hot Entries, Key Concepts, Audience, Film Language, Representation

click on image to enlarge

World War Two impacted ferociously on Great Britain: cities were attacked by German bombers, air battles were fought and daily life was severely tested over the six years of conflict. It’s understandable though, if the war seems a long, long time ago to you. Cinema, however, offers us a meaningful way to reconnect with, and reflect on the event and to develop a sense of the relationship between World War Two and British cinema. Attendance at cinemas was acutely influenced by the war and, perhaps most interestingly, in terms of the kinds of film...

[ read full article ] »

WJEC A2 Film Studies FM4 Section B Spectatorship Fahrenheit 9/11 Kurt and Courtney Exemplar »

Karen Ardouin | Monday June 10, 2013

Categories: A Level, WJEC A Level, WJEC A2, FM4, Section B: Spectatorship Topics, Analysis, Film Analysis, Films & Case Studies, Non-Hollywood Films, Bowling For Columbine, Fahrenheit 9/11, Kurt & Courtney, Genres & Case Studies, Biography, Documentary, History, Music, War, Hot Entries, Key Concepts, Audience, Film Language, Representation, Mock Exams, A Level Mock Exams

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‘A common experience for the spectator when watching a documentary is to be manipulated by the filmmakers’. How far do you agree with this statement? (35)

Generally, documentaries are created in order to impart information and, in the main, to persuade the audience into believing a particular viewpoint. The contract between audience and filmmaker is considered along with the code of ethics with regard to documenting the real. For example, there are questions around the time and space created within the story and the structure and chronology of...

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The Boy in the Striped Pyjamas Case Study »

Viki Walden | Thursday September 06, 2012

Categories: GCSE, WJEC GCSE, Analysis, Film Analysis, Films & Case Studies, Non-Hollywood Films, Boy in the Striped Pyjamas, World Cinema, Genres & Case Studies, Children, Drama, Families, History, War, Hot Entries

Paper 2 | Non-Hollywood Film

Synopsis

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8 year old Bruno doesn’t have a care in the world as he pretends to be a plane flying through the streets of Berlin, on his way back from school. He is blissfully ignorant of the terror happening around him – Jewish families being rounded up and transported out of the city. When he returns home however, his family are preparing for a celebration. His father, Ralf, has received a promotion that means they must all leave the capital; a move that will change Bruno’s life forever.

At his new stately home Bruno is sullen until, looking...

[ read full article ] »

Atonement Pupil Research Questions »

Rob Miller | Thursday November 10, 2011

Categories: A Level, Analysis, Film Analysis, Films & Case Studies, American, Hollywood Films, Atonement, Genres & Case Studies, British Film, Costume Drama, Heritage, Period Drama, Romance, War, Hot Entries, Research, Film Research

British and American Film Case Study

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Associated Resources

Atonement Pupil Research Questions.doc

Use your bibliography of British Film resources to research the following questions:

  1. Who directed Atonement? What other projects has the director been involved in and what does this say about his reputation and key specialist areas? Who wrote the novel that Atonement is based on, what do you know about him?
  2. What was the name of the Production Company and Theatrical Distributor? How would you describe the Distribution company? What pattern does this reflect relating to British...
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Atonement Case Study »

Rob Miller | Thursday November 03, 2011

Categories: A Level, Analysis, Film Analysis, Films & Case Studies, Hollywood Films, Atonement, Non-Hollywood Films, Genres & Case Studies, British Film, Costume Drama, Heritage, Period Drama, Romance, War, Hot Entries

Overview

  • Director – Joe Wright (Pride and Prejudice): experience of big budgets, high production values and of the genre Costume Melodrama. Novel written by Ian McKewan (critically successful author)
  • Genre Costume Melodrama – critically and commercially successful (‘safe’ genre). Arguably Atonement is a hybrid genre – Romance/War Film (built sets, contextual background). Gosford Park, Room with a View
  • Produced and Distributed by Working Title (UK) and Universal Studios (US) – BFI category 3 (UK/US collaboration). Reflects ‘patterns’ relating to British film...
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