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Viewing entries from category: Hot Entries

Legacy Eduqas WJEC A Level Film Studies »

Richard Gent | Wednesday August 24, 2011

Categories: A Level, EDUQAS A Level, EDUQAS AS, EDUQAS A2, Hot Entries, Legacy

Legacy Resources Welcome to Edusites Film’s comprehensive resources and materials link covering every aspect of the WJEC AS and A2 Film Studies specification. Studying film is a skill and a pleasure for both students and teachers focussing on key areas of academic study and we like to think we have covered all bases. This includes in depth schemes of work with embedded links, mini student schemes of work, student guides and many, many, many case studies to kick start or embed the topic.…
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The Wave Case Study »

jclarke | Thursday March 10, 2022

Categories: GCSE, WJEC GCSE, Analysis, Film Analysis, Films & Case Studies, Non-Hollywood Films, The Wave, Genres & Case Studies, Drama, Thriller, Hot Entries, Key Concepts, Audience, Film Language, Representation

click on image to enlarge Introduction Exploring films that have been produced outside of those made and distributed globally by the Hollywood film studios offers us an exciting opportunity to broaden our horizons: in terms of storytelling (the way of telling, or organizing the elements of a story), the stories themselves become of broader interest in other cultures and their cinemas. Watching films from around the world, rather than only those made by American and British film producers is an…
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Tsotsi Case Study »

Rob Miller | Sunday January 23, 2022

Categories: GCSE, WJEC GCSE, Analysis, Film Analysis, Films & Case Studies, World Cinema, Tsotsi, Genres & Case Studies, Crime, Drama, Hot Entries, Key Concepts, Audience, Film Language, Representation

Clips Tsotsi Opening Sequence Tsotsi End Sequence Further Reading Studying Tsotsi: Judith Gunn (Auteur Publishing) Awards Best Foreign Language Film - 2006 Academy Awards Institutional Factors and Representation of People, Places, Events and Issues Tsotsi (urban slang – thug) is a film based on a novel by Athol Fugard set in the impoverished township of Soweto, Johannesburg in South Africa – Fugard is best known for his plays with political narratives opposing the historical South…
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Submarine Case Study »

Rob Miller | Friday October 01, 2021

Categories: A Level, OCR A Level, OCR AS, Analysis, Film Analysis, Films & Case Studies, Non-Hollywood Films, Genres & Case Studies, British Film, Comedy, Drama, Romance, Hot Entries

Institutional Factors | Distribution Submarine was written and directed by Richard Ayoade and released at UK cinemas in March 2011 after significant critical success at festivals including the London Film Festival (LFF) but particularly the Toronto Film Festival. Toronto success secured the film a distribution contract with the Weinstein Company (formerly Disney owned Miramax) – Bob and Harvey Weinstein’s company in essence can be described as a ‘Mini Major’ film…
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German Cinema | Expressionism »

jclarke | Thursday September 13, 2018

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section A: World Cinema, Analysis, Film Analysis, Films & Case Studies, World Cinema, Metropolis, Nosferatu, The Cabinet of Dr. Caligari, Genres & Case Studies, German, Hot Entries, Key Concepts, Audience, Film Language, Representation, Posters, Film Poster Analysis

European Cinema History: German Cinema of the 1920s Introduction One of the most rewarding aspects of Film Studies is to be found in recognising how films produced at one, quite distant moment in time often made long ago, continue to influence more contemporary films with which we might all be more familiar. This is certainly true of the impact of some examples of German cinema produced in the 1920s. If you watch Edward Scissorhands (1990), Bram Stoker’s Dracula (1992), Bringing out the…
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Eduqas WJEC Set Films »

Richard Gent | Thursday March 01, 2018

Categories: A Level, EDUQAS A Level, EDUQAS A2, Films & Case Studies, Directors, Hollywood Films, Non-Hollywood Films, World Cinema, Hot Entries, Key Concepts, A Level Film

Click to see our Revision Part 1: Knowledge Organisers The exam reports from the Summer 2018 AS exams identified areas for development which may well be similar for the A Level students taking the exam this summer. I certainly identified with some of the issues as they were very similar to ones I had seen on the student attempts at the Mock exams. A knowledge organiser (KO) sets out the important, useful and powerful knowledge on a topic on a single page. Linked below are Knowledge Organisers…
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WJEC GCSE Film Studies Superhero Films | Batman v Superman and Deadpool »

Rob Miller | Thursday September 08, 2016

Categories: GCSE, WJEC GCSE, Analysis, Film Analysis, Films & Case Studies, Hollywood Films, Batman v Superman, Deadpool, Genres & Case Studies, Action, Action Adventure, Superhero, Hot Entries

Batman v Superman: Dawn of Justice (2016) Batman v Superman: Dawn of Justice (Batman v Superman) is a 2016 blockbuster superhero movie produced by DC, and distributed by Warner Bros. From a marketing point of view (common question 3 in Paper 1) it is an attempt to compete with the most successful franchise in film history – Marvel Cinematic Universe, whose recent films have been distributed by the owner of the franchise, Disney Motion Picture Studios. To simplify, Marvel and DC Comics were,…
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Film Evaluative Analysis »

nicoleponsford | Saturday June 25, 2016

Categories: GCSE, Hot Entries, Production Zone, Audio Production, Moving Image Production, Print Production

Download Link: Evaluative Analysis.doc The Evaluative Analysis is about their FINAL production. Evaluation needs to explain how they: Used Technical and Creative Skills Used an appropriate format with the appropriate codes and conventions Demonstrated an understanding of: Film Language - how do the mise en scene and technical codes construct meaning? Organisations - what production companies and distributors would typically be involved in the project? Audiences - who is the target audience, how…
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Useful Sites for Film Studies Teachers »

Richard Gent | Tuesday April 19, 2016

Categories: Hot Entries, Useful Sites, Useful Sites for Film Studies Teachers


WJEC AS Film Studies FM2 Section B British Film: The Quiet Ones and Hush »

Rob Miller | Thursday November 19, 2015

Categories: A Level, EDUQAS A Level, EDUQAS AS, FM2, Section B: British Film Topics, Analysis, Film Analysis, Films & Case Studies, Non-Hollywood Films, Hush, The Quiet Ones, Genres & Case Studies, Horror, Hot Entries

Section B: British Film Topics – British Film and Genre To answer this question, students must show a detailed knowledge of a minimum of two films. This resource explores two contemporary British horror films and can be used in conjunction with the following other case studies and exemplars: British Film and Genre (Horror and Comedy) 28 Days Later Case Study The Wicker Man Case Study WJEC AS Film Studies FM2 Section B British Film Horror Exemplar Past Exam Questions Analysis of both films…
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The Effective Use of Theory in Film Studies »

abateman | Friday October 16, 2015

Categories: Hot Entries, Theory, Film Theory

Life, as no doubt we have all noticed, is for the most part rather more mundane and less predictable than that and films like Chungking Express seek to capture that ‘normality’. The real messages that the film is trying to convey about Hong Kong, its people, their relationships, globalisation and the apprehension felt in the run up to the handover of Hong Kong from British to Chinese rule in 1997 is told not through the traditional narrative structure but through the visual elements such as…
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WJEC AS Film Studies FM2 US Cinema Comparative Study: Taxi Driver and No Country for Old Men »

Rob Miller | Monday September 07, 2015

Categories: A Level, EDUQAS A Level, EDUQAS AS, FM2, Section C: US Film Comparative Study, Analysis, Film Analysis, Films & Case Studies, American, No Country for Old Men, Hollywood Films, Taxi Driver, Genres & Case Studies, Crime, Drama, Thriller, Hot Entries

FM2 British and American Film Section C: US Cinema Comparative Study For further details of assessment requirements and past Section C exam questions, please go to FilmEdu’s Gilda (1946) and L.A Confidential (1997) Comparative Case Study  and FilmEdu’s Minority Report and Blade Runner Comparative Study for other comparison resources. Taxi Driver Like No Country for Old Men, Taxi Driver is a film about nihilism – with 31 years between them both films have characters that…
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International Film Styles: Neorealism »

jclarke | Friday September 04, 2015

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section A: World Cinema, Analysis, Film Analysis, Film History, Cinema in Context, Film Industry, Censorship & Regulation, Copyright & Licensing, Film Distribution, Film Marketing, Film Publicity, Film Promotion, Production Companies, Films & Case Studies, Non-Hollywood Films, Kes, World Cinema, Rome, Open City, Genres & Case Studies, Neorealism, Hot Entries, Key Concepts, Audience, Film Language, Representation

Across the varied and diverse ways in which a film text can encode and emphasise meanings and a specific viewpoint on or presentation of a subject, realism is a key aesthetic and formal choice and approach that has functioned as a key creative direction of so much western expression across literature and the visual arts. This resource, then, explores the characteristics of a particular film style that we call neorealism. It stems from post World War Two Italian cinema and its influence has been…
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WJEC AS Film Studies FM1 Exploring Film Form Scheme »

Rob Miller | Thursday July 16, 2015

Categories: A Level, EDUQAS A Level, EDUQAS AS, FM1, Analysis, Film Analysis, Film Opening Analysis, Macro Analysis, Micro Analysis, Shot Analysis, Films & Case Studies, Hollywood Films, Grand Budapest Hotel, Gravity, Skyfall, The Shining, Up, Non-Hollywood Films, Submarine, Hot Entries, Key Concepts, Genre, Narrative, Representation, Key Skills, Cinematography, Editing, Filming, Mise-en-Scene, Planning, Pre-Production, Reflective Analysis, Production Zone, Moving Image Production

Overview Analysis of a 3-5 min Film Extract – Mise-en-Scene, Cinematography and Editing only: (30 Marks) Creative Project – Planning, Producing and Editing a 2 min approx. film sequence of between 10-25 shots (50 Marks) Reflective Analysis – (10 Marks) Edusites Film recommends a logical time to introduce the FM1 coursework is in week 6, the second week in October, 1 week before the Half Term. By then, students will have learnt skills of textual analysis in regards to micro and macro…
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Planning, Filming and Editing with Mobile Devices Workshop »

Morag Larsen | Friday July 03, 2015

Categories: Hot Entries, Production Zone, Moving Image Production

In this increasingly mobile age a significant amount of content is now delivered by mobile for mobile devices. In this course the training will show you how to produce film content quickly and easily on mobile devices for a variety of different uses. Programme Details We can provide training to teachers or students or both in:Planning, Filming and Editing with mobile devices. Our training can focus on specific skills such as:Organising and preparing content and shooting on mobile devices Using…
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Popular Film & Emotional Response: All That Heaven Allows & Far From Heaven »

Rob Miller | Wednesday July 01, 2015

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section B: Spectatorship Topics, Analysis, Film Analysis, Film History, Films & Case Studies, Directors, Douglas Sirk, Todd Haynes, Hollywood Films, All That Heaven Allows, Far From Heaven, Hot Entries, Key Concepts, Audience

An Analysis of Two Close Study Films This resource analyses two close study films All That Heaven Allows (1955) and Far From Heaven (2002) in relation to the FM4 Spectatorship topic, Popular Film and Emotional Response while cross-referencing key points with Imitation of Life (1959). Todd Haynes’ 2002 American drama Far From Heaven makes clear intertextual references to Douglas Sirk’s 1955 and 1959 films All That Heaven Allows and Imitation of Life in terms of style and themes although…
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DVD & Book Store »

Morag Larsen | Friday June 19, 2015

Categories: KS3, GCSE, A Level, Analysis, Film Analysis, Hot Entries, Key Concepts, Film Language, Representation, Production Zone, Moving Image Production, Research, Film Research, Scriptwriting, Starters, Storyboarding

Introducing our DVD & Book Resources for Film & Media Editsense & Filmsense £69.00+VAT (30% off) ‘Editsense is a new approach to learning about film language and film-making’. This is an interactive DVD with excellent, practical examples of film - perfect for teachers of moving image, be it English, Creative and Digital Media or Film Studies. It has over fifty video examples and includes materials for the introduction and revision of film. There are no audio clips. The site…
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WJEC GCSE Superhero Glossary of Terms »

Rob Miller | Thursday April 16, 2015

Categories: GCSE, WJEC GCSE, Genres & Case Studies, Superhero, Hot Entries, Key Concepts, Film Language

Superman (1978): First recognised, and globally successful superhero film of the modern era. Marvel: American publisher of comic books, frequently pertaining to the superhero genre founded in 1939 e.g. Hulk, Thor, Fantastic Four, Spider-man, Iron Man and Wolverine. Disney acquired (bought and owned) Marvel in 2009. Stan Lee: At age 92, Stan Lee is president and chairman of Marvel Comics and co-creator and writer of Spider-man, the Fantastic Four, Iron Man and X-Men among others. Marvel…
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Exemplar WJEC A2 Lesson Plan | Introduction to Bollywood as a National Cinema »

Rob Miller | Monday November 17, 2014

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section A: World Cinema, Genres & Case Studies, Bollywood, Hot Entries

Associated Resources Edusites Lesson Plan Template.docx NB. Please note this is a suggested template, your school may require a different layout. Length of Lesson (minutes): 60 Lesson Title: An Introduction to Bollywood as a National Cinema Context This lesson would be delivered in the first or second week after the Christmas break with the assumption that students are close to completing their FM3 projects – an understanding of World Cinema has been embedded but needs to be revisited at the…
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Exemplar OCR A2 Lesson Plan | Introduction to F633 Section A »

Rob Miller | Friday November 14, 2014

Categories: A Level, OCR A Level, OCR A2, Films & Case Studies, World Cinema, Hot Entries

Associated Resources Edusites Lesson Plan Template.docx NB. Please note this is a suggested template, your school may require a different layout. Length of Lesson (minutes): 60 Lesson Title: An Introduction to F633 Global Cinema and Critical Perspectives Section A: Messages and Values in Global Film Context This lesson would be delivered early in term one to embed the notion of non-English language global cinema and develop a critical approach to film analysis required for the whole of F633.…
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Exemplar WJEC & OCR AS Lesson Plan | An Introduction to the Film Industry »

Rob Miller | Wednesday November 12, 2014

Categories: A Level, OCR A Level, OCR AS, EDUQAS A Level, EDUQAS AS, FM1, Film Industry, Hot Entries

Associated Resources Edusites Lesson Plan Template.docx NB. Please note this is a suggested template, your school may require a different layout. Length of Lesson (minutes): 60 Lesson Title: An Introduction to the Film Industry Context This lesson would be delivered in the first week after induction of an AS Film Studies course, whether WJEC or OCR. It is a generic introduction to the core Film Studies concepts underpinning this academic subject. Aims and Objectives To introduce students to…
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Exemplar WJEC GCSE Lesson Plan | An Introduction to World Cinema »

Rob Miller | Tuesday November 11, 2014

Categories: GCSE, WJEC GCSE, Films & Case Studies, World Cinema, Hot Entries

Associated Resources Edusites Lesson Plan Template.docx NB: Please note this is a suggested template, your school may require a different layout. Length of Lesson (minutes): 60 Lesson Title. An Introduction to World Cinema Context This lesson would be delivered between weeks 21-23, in April/May as a preparation for Paper 2: Exploring Film Outside of Hollywood. It is expected that pupils have not studied world cinema and are relatively unfamiliar with non-English language films at GCSE level, or…
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Film Studies Induction Resources and Activities »

Rob Miller | Friday November 07, 2014

Categories: GCSE, WJEC GCSE, A Level, OCR A Level, OCR AS, EDUQAS A Level, EDUQAS AS, Hot Entries

Welcome to FilmEdu’s Film Studies Induction Resource – please find belowsuggested only ways of introducing WJEC and OCR AS Film Studies students, and also GCSE students to the study of Film. Schemes of Work and assessment deadlines are tight these days but there is always/should always be an Induction Week, or week and a half at the very start of the course when the students/pupils can grapple with the fundamentals of the subject. What is Film Studies? In one sentence, write down what you…
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British Film: Swinging Britain 1963-1973 »

Rob Miller | Thursday November 06, 2014

Categories: A Level, EDUQAS A Level, EDUQAS AS, FM2, Section B: British Film Topics, Analysis, Film Analysis, Films & Case Studies, Non-Hollywood Films, Alfie, If, Genres & Case Studies, Comedy, Drama, Hot Entries

click on image to enlarge FM2 Section B: British Film Topics – British Film and Culture When we use the term ’British film and culture’ we are stating, or at least implying a connection between specific films and how they are partly, and in significant ways the product of a wider national cultural discourse and identity. In this context, a film can contribute to the way that a nation communicates messages and values about itself. In terms of film, these messages and values find expression…
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WJEC Film Studies AS > A2 Transition Unit »

Rob Miller | Thursday October 30, 2014

Categories: A Level, EDUQAS A Level, EDUQAS AS, EDUQAS A2, Analysis, Film Analysis, Hot Entries, Production Zone, Moving Image Production

click on image to enlarge FilmEdu recommend that AS-A2 Transition is introduced on or around 18th May 2015, after FM2 examined unit is complete and after FM1 coursework has been assessed with the marks submitted to WJEC. For centres whose students stay on until the end of term, this means a valuable 8 weeks of study that can potentially mean the difference between grades in terms of final assessment. During this period, students should enjoy, as much as expand their understanding of film…
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The Battle of Algiers (1966) Case Study »

Rob Miller | Wednesday October 29, 2014

Categories: A Level, OCR A Level, Analysis, Film Analysis, Films & Case Studies, World Cinema, The Battle of Algiers, Genres & Case Studies, Crime, Drama, History, War, Hot Entries, Key Concepts, Audience, Film Language, Representation

YouTube Link: https://www.youtube.com/watch?v=Wd5Pz8KJeU4 Copyright © 2018 Edusites. All rights reserved. Permission granted to reproduce for educational use within the subscribing school only. Copying or lending of any part of this document in any form or by any means to external bodies and / or individuals is prohibited. In 2010, The Guardian newspaper published a story entitled “Algeria (national football squad) prepare for World Cup battle by watching The Battle of Algiers.?.…
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WJEC AS FM2 British & American Film Producers and Audiences Resource Items »

Rob Miller | Wednesday October 08, 2014

Categories: A Level, EDUQAS A Level, EDUQAS AS, FM1, FM2, Section B: British Film Topics, Section C: US Film Comparative Study, Film Industry, Film Distribution, Film Marketing, Genres & Case Studies, British Film, Hot Entries

FM2: British and American Film ‘How to Respond to Section A - Producers and Audiences: Resource Items’ This resource examines approaches to Section A of FM2 in terms of areas of questioning but specifically, how to respond to the range of stimulus WJEC could use, and expect students to refer to in Part A and Part B of the resource items. The section title, ‘Producers and Audiences’ is important in letting students know the type of response expected in the exam – an equal…
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Happy Together (Hong Kong 1997) Case Study »

jclarke | Tuesday October 07, 2014

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section C: Single Film Critical Study, Analysis, Film Analysis, Film Industry, Film Distribution, Film Marketing, Films & Case Studies, World Cinema, Happy Together, Genres & Case Studies, Drama, Romance, Hot Entries, Theory, Auteur Theory, Queer Theory

click on image to enlarge FM4: Varieties of Film Experience – Issues and Debates Section C: Single Film – Critical Study Introduction Happy Together is a feature film directed by Wong Kar-wai. It was released in 1997, the year that Hong Kong’s governance from Britain ended and governance from China began. The fact that Happy Together begins with passports being stamped might well resonate with Hong Kong audiences particularly with when the film was released. We might suggest that a…
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WJEC AS Film Studies FM2 Section A Producers and Audiences Exemplar »

Rob Miller | Monday October 06, 2014

Categories: A Level, EDUQAS A Level, EDUQAS AS, FM2, Section B: British Film Topics, Film Industry, Film Distribution, Film Marketing, Film Publicity, Genres & Case Studies, British Film, Hot Entries

Associated Resources WJEC AS Level Film Studies FM2 Exemplar Resource Material A.docx WJEC AS Level Film Studies FM2 Exemplar Resource Material B.docx Instructions Section A refers to the resource material (see associated resources) This is a Section A exemplar only Each question carries 40 marks You are reminded that assessment will take into account the quality of written communication used in your answers Section A:  Producers and Audiences EITHER: 1. Study the items in Part A of the…
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WJEC AS Film Studies FM2 US Cinema Comparative Study: Minority Report and Blade Runner »

Rob Miller | Monday October 06, 2014

Categories: A Level, EDUQAS A Level, EDUQAS AS, FM2, Section C: US Film Comparative Study, Analysis, Film Analysis, Film Industry, Film Distribution, Film Marketing, Film Publicity, Film Promotion, Films & Case Studies, American, Blade Runner, Hollywood Films, Minority Report, Genres & Case Studies, Action, Mystery, Science Fiction, Thriller, Hot Entries

Introduction One of the most interesting ways to engage with genre is to select two films from the same genre and compare and contrast them. Critically, select two films produced in significantly different time periods and places - by doing this kind of analytical exercise we’re able to go some distance in identifying some of the ways in which a genre evolves. Science fiction film certainly seems to offer a particularly rich case study in terms of what kinds of ideas texts can be encoded…
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Solaris (Soviet Union 1972) Case Study »

Rob Miller | Wednesday October 01, 2014

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section C: Single Film Critical Study, Analysis, Film Analysis, Films & Case Studies, World Cinema, Solaris (1972), Genres & Case Studies, Drama, Science Fiction, Hot Entries, Key Concepts, Audience, Film Language, Representation

click on image to enlarge There are key areas of study that WJEC recommend are explored for FM4 Section C – Solaris, and they are as follows:As a philosophical film about identity and memory
 The role and function of Hari
 The undemonstrative character of Kris and the reasons for this
 Issues of representation in relation to conventions of the Sci-Fi genre
 The significance of the earth sequences – including the emphasis on nature The overall pace and length of the film
…
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Movern Callar (2002) Case Study »

jclarke | Friday September 26, 2014

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section C: Single Film Critical Study, Analysis, Film Analysis, Films & Case Studies, Non-Hollywood Films, Movern Callar, Genres & Case Studies, British Film, Drama, Hot Entries, Key Concepts, Audience, Film Language, Representation

click on image to enlarge FM4: Varieties of Film Experience – Issues and Debates Section C: Single Film – Critical Study Introduction Lynne Ramsay, the director of the film Morvern Callar has made the valuable observation that “I love to see great dialogue in the cinema but I hate to see ‘Film TV’. When I go to the cinema I want to have a cinematic experience….I like dialogue when it’s used in a way where the body language says the complete opposite…? [1] Ramsay’s emphasis on…
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Documentary and Spectatorship Workshop »

Richard Gent | Wednesday September 24, 2014

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section B: Spectatorship Topics, Genres & Case Studies, Documentary, Hot Entries

click on image to enlarge Documentary, of all genres has a profound impact on spectatorship. This dedicated, interactive WJEC A2 Film Studies Section B: Spectatorship topic explores historical and contemporary genre pieces from Vertov’s Man With a Movie Camera through to Senna, Grizzly Man and Marley ensuring that key theories e.g. the work of Dr Bill Nichols are incorporated. It is expected centres will inform Edusites Film of their chosen texts so the session can be bespoke to their needs.…
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International Film Styles Workshop »

Richard Gent | Wednesday September 24, 2014

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section A: World Cinema, Hot Entries

click on image to enlarge This WJEC A2 Film Studies dedicated, interactive workshop, offered both as a full or half day option provides a platform for further study in relation to the FM4 Section A: World Cinema, International Film Styles topic. It is expected that centres will inform Edusites Film of their chosen topic/topics, whether German Cinema, Soviet Cinema, Surrealism, Neo Realism or New Wave options so the session can be precisely tailored to the needs of the centre. We can guarantee…
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Film and Textual Analysis Workshop »

Richard Gent | Wednesday September 24, 2014

Categories: Analysis, Film Analysis, Film Opening Analysis, Micro Analysis, Shot Analysis, Hot Entries

click on image to enlarge Our full or half day interactive, visually stimulating workshops introduce pupils/students to the skills of textual analysis. We will provide a range of mainstream and independent examples to encourage and develop an understanding of film language from mise-en-scene through to cinematography, editing and sound. Cost Half Day (3 Hours Contact Time): costs from £300 Full Day (6 Hours Contact Time): costs from £450 Travel and printing fees are also applicable, where…
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WJEC AS Film Studies FM2 US Cinema Comparative Study: Gilda and L.A.Confidential »

Rob Miller | Tuesday September 23, 2014

Categories: A Level, EDUQAS A Level, EDUQAS AS, FM2, Section C: US Film Comparative Study, Analysis, Film Analysis, Films & Case Studies, American, L.A Confidential, Hollywood Films, Gilda, Genres & Case Studies, Crime, Drama, Film Noir, Mystery, Romance, Hot Entries, Key Concepts, Representation

Introduction In this section of the exam you will get a choice of one question from two – an absolute must is that you compare and contrast two films, either from the same genre or that both deal with a specific theme. Genre, narrative and representation are key areas of study - see below examples of past questions:How far do the American films you have studied convey key themes in similar ways? How far is the representation of characters in the American films you have studied influenced by…
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Sweet Sweetback’s Baadasssss Song (1971) Case Study »

Rob Miller | Monday September 22, 2014

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section C: Single Film Critical Study, Analysis, Film Analysis, Film Industry, Censorship & Regulation, Film Distribution, Film Marketing, Film Publicity, Films & Case Studies, Non-Hollywood Films, Sweet Sweetback’s Baadasssss Song, Genres & Case Studies, Crime, Drama, Independent, Thriller, Hot Entries, Key Concepts, Representation

FM4: Varieties of Film Experience – Issues and Debates Section C: Single Film – Critical Study Section C of FM4 offers students the ability to engage in a critical study of a single film, within a synoptic framework – this means the micro and the macro features need to be studied, as well as issues of representation. Useful will be placing the film in an institutional and cultural context in reference to production, funding distribution, audience, audience reception but also genre and…
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International Film Styles: Surrealism »

Rob Miller | Friday September 19, 2014

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section A: World Cinema, Analysis, Film Analysis, Films & Case Studies, Directors, Louis Bunuel, World Cinema, The Discreet Charms of the Bourgeoisie, Un Chien Andalou, Genres & Case Studies, Comedy, Fantasy, Silent, Surrealism, Hot Entries, Key Concepts, Audience, Film Language, Representation

click on image to enlarge Sample Questions How far does cinematic style support themes and ideas in the films you have studied for this topic? Discuss how far the development of your chosen international film style can be seen as the work of particular creative individuals? Discuss characteristic features of casting and/or performance, exploring how far these features contribute the overall effect of the films you have studied. What is the relationship between visual style and the subject…
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Recommended A2 Film Studies Theorists »

Rob Miller | Monday September 15, 2014

Categories: A Level, OCR A Level, OCR A2, EDUQAS A Level, EDUQAS A2, FM3, FM4, Section A: World Cinema, Section B: Spectatorship Topics, Section C: Single Film Critical Study, Hot Entries, Key Concepts, Audience, Representation, Theory, Theorists

The following theorists represent a selection of film theorists (from many) whose work can be cited in both A Level Film Studies coursework and external assessment, for both WJEC and OCR. For example, OCR Film Studies Section B F633 suggests: “candidates are encouraged to engage with critical frameworks relevant to the topic area? e.g. Film Regulation, Authorship and Film and Audience Experience while WJEC Film Studies FM4 states that students should: “apply key concepts and critical…
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WJEC A2 Film Studies FM4 Section A World Cinema Bollywood A Grade Exemplar »

Rob Miller | Wednesday September 03, 2014

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section A: World Cinema, Analysis, Film Analysis, Films & Case Studies, World Cinema, Dilwale Dulhaniya Le Jayenge, Shree 420, Genres & Case Studies, Bollywood, Hot Entries, Key Concepts, Audience, Film Language, Representation, Theory, Auteur Theory

click on image to enlarge By comparing the cinematic styles used in the films you have studied for this topic, is it possible to identify a distinctive ‘National Cinema’? Indian cinema means different things to different people and there are a lot of different cinematic styles originating from the Indian subcontinent. Stereotypically, when western audiences without cultural capital or knowledge think of Indian films the iconic name ‘Bollywood’ comes to mind, or less widely known outside…
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F634: Creative Investigation in Film Guide »

jclarke | Tuesday September 02, 2014

Categories: A Level, OCR A Level, OCR A2, Film Industry, Film Marketing, Films & Case Studies, Directors, Steven Spielberg, Hot Entries, Key Concepts, Audience, Film Language, Representation, Posters, Film Poster Analysis

The purpose of this unit is to assess students’ ability to independently research, investigate and analyse a film based topic and present the findings; secondly, to assess the students’ application of knowledge and understanding to the planning and construction of a creative realisation; and finally, to assess candidate’s application of knowledge and understanding in evaluating their own work. 1. ResearchIndependent Research Project: 40 marks Planning: evidence of planning for a filmed…
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Vertigo (Hitchcock 1958) Case Study »

jclarke | Monday August 18, 2014

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section C: Single Film Critical Study, Analysis, Film Analysis, Film Industry, Film Marketing, Film Publicity, Film Promotion, Films & Case Studies, Hollywood Films, Vertigo, Genres & Case Studies, Mystery, Romance, Thriller, Hot Entries, Key Concepts, Audience, Film Language, Representation

click on image to enlarge Understanding the relationship between the micro and the macro elements of a film is an essential part of our analysis of movies. Every shot, every sound accumulates to form the expression of an idea. Thinking about movies in this way might prompt us to acknowledge that a camera move for example, can express a character’s psychology, sometimes more forcefully and memorably than a line of dialogue could ever do. In the opening scene of Vertigo (1958) as the film’s…
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Ratcatcher Case Study »

jclarke | Thursday July 10, 2014

Categories: GCSE, WJEC GCSE, Analysis, Film Analysis, Films & Case Studies, Non-Hollywood Films, Ratcatcher, Genres & Case Studies, Drama, Hot Entries, Key Concepts, Audience, Film Language, Representation

click on image to enlarge Introduction Lynne Ramsay’s film Ratcatcher is a key British production of the late 1990s and is notable for its thoughtful and sensitive focus on the representation of a young person. The film explores the representation of childhood, guilt and atonement in a dysfunctional environment. Although on the paper 2, GCSE list of films, Vicky LeBeau’s analysis of the narrative and ideological function that children typically embody in movies can apply when she writes…
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OCR A2 Film Studies: 31 Week Scheme of Work »

Rob Miller | Wednesday July 02, 2014

Categories: A Level, OCR A Level, OCR A2, Hot Entries

click on image to enlarge F633: Global Cinema and Critical Perspectives F634: Creative Investigations in Film This scheme provides a basic outline, in terms of structure and timescales over the period of one academic year – it is expected throughout the year that teachers will generate their own additional resources and materials.  Edusites Film have suggested only a research investigation for F634 and have recommended only that Film Regulation and Classification be studied for F633…
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Modern Times Case Study (Chaplin 1936) »

jclarke | Monday May 19, 2014

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section C: Single Film Critical Study, Analysis, Film Analysis, Films & Case Studies, Hollywood Films, Modern Times, Genres & Case Studies, Comedy, Drama, Hot Entries, Key Concepts, Audience, Film Language, Representation

click on image to enlarge The first image that we see in Modern Times is of a clock - a symbol of the workplace and productivity as Chaplin’s Little Tramp struggles in the modern, industrialised world of which he is so critical during the time of the Great Depression, see more on that here. As such the image is emblematic of the entire film. Modern Times is a silent film comedy that is as ideologically rich and meaningful as a wide range of far more ‘serious’ dramas about ‘serious’…
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Press Release | New Book From James Clarke On The Cinema of James Cameron »

Richard Gent | Wednesday May 14, 2014

Categories: Hot Entries

FilmEdu and MediaEdu writer, James Clarke, sees the publication of his new book this June. Entitled Bodies in Heroic Motion: The Cinema of James Cameron the project is published by Columbia University Press imprint Wallflower Press. “The very first writing that I had published in print about movies was with Wallflower Press, back in 2001, so this is a really welcome ‘full circle’ moment for me.? James explains. “The new book, I think, is written to be accessible to undergraduates and…
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WJEC A2 FM4 Section C Single Film Critical Study | Talk To Her - Almodovar, 2002 »

jclarke | Friday May 09, 2014

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section A: World Cinema, Analysis, Film Analysis, Films & Case Studies, World Cinema, Talk To Her, Genres & Case Studies, Comedy, Drama, Romance, Hot Entries, Key Concepts, Audience, Film Language, Representation

click on image to enlarge In this resource we will consider the film Talk To Her (2002) and explore some aspects of its film style, by which we mean the choices made by the filmmakers in their deployment of sound and visual elements in the construction of the narrative. As such, we are considering how storytelling devices express a range of meanings and values embodied within the drama. Talk To Her offers an opportunity for us to think about how film (and non Hollywood films, particularly)…
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GCSE Film Studies Exemplar Responses 2013/14 »

Rob Miller | Wednesday April 16, 2014

Categories: GCSE, WJEC GCSE, Films & Case Studies, Hollywood Films, X-Men, Non-Hollywood Films, Boy in the Striped Pyjamas, The Devil’s Backbone, Genres & Case Studies, Superhero, Hot Entries, Mock Exams, GCSE Mock Exams

Associated Resources WJEC GCSE Film Studies Mock Exam Paper 1 A Grade Response 2013.docx WJEC GCSE Film Studies Paper 2 A-B Exemplar The Boy in the Striped Pyjamas.docx WJEC GCSE Film Studies Mock Exam Paper 2 A Grade Response 2013.docx WJEC GCSE Film Studies Mock Exam Paper 2 D-C Grade Response 2013.docx WJEC GCSE Film Studies Paper 2 Non Hollywood Exemplars WJEC GCSE Film Studies Paper 1 A-B Grade Response Summer 2014.docx
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Rabbit Proof Fence Case Study »

jclarke | Wednesday April 16, 2014

Categories: GCSE, WJEC GCSE, Analysis, Film Analysis, Films & Case Studies, Non-Hollywood Films, Rabbit Proof Fence, Genres & Case Studies, Adventure, Biography, Drama, Hot Entries, Key Concepts, Audience, Film Language, Representation

click on image to enlarge In this resource we will consider the film Rabbit Proof Fence (2002) and explore some aspects of its film style, by which we mean the choices made the filmmakers in terms of how they deploy sound and vision. As such, we are considering the storytelling devices with which the film expresses a range of meanings and values embodied within the drama. Through the way that the stylistic choices of the film’s producers’ (writer/director/producer/actors/camera/sound/music)…
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Improve Your Teaching | What Makes An Outstanding Lesson? »

abateman | Tuesday March 25, 2014

Categories: Hot Entries

Associated Resources Lesson Plan.docx Ofsted Inspections: What Makes An Outstanding Lesson? For many teachers, the anxiety and worry of being observed are all too real. With new government initiatives such as the fact that pay is linked to performance, and the new Ofsted Framework (2012) breathing down our necks, it could enhance these worries and fears even more. It was therefore thought that it will be helpful to provide some guidance in terms of what makes an outstanding lesson. I was…
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