Richard Gent | Friday January 26, 2018
Categories: IB Film Resources, IB, IB Film, Silent Era, Genres & Case Studies, Film Industry, World Cinema, Films & Case Studies, Hollywood Films, Non-Hollywood Films, Genre, Narrative, Key Skills, Film Research, Research, Key Concepts, Analysis, Representation, Audience, Film Theory, Film Language, Spectatorship Theory, Queer Theory, Auteur Theory, Theory
So what do we need to do for students and teachers to perform brilliantly? Our resources are a guide to producing critically autonomous students who gain a wide range of skills in the study of film and truly make the transition from film fan to film student. Reading film Examine film as an art form, studying a broad range of film texts from a variety of cultural contexts and analysing how film elements combine to create meaning. Contextualising film Explore the evolution of film across time and…
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Barry Rainsford | Wednesday September 13, 2017
Categories: OCR A Level, EDUQAS A Level, A Level Film, Film Industry, A Level, Films & Case Studies, Mise-en-Scene, Genre, Narrative, Key Skills, Editing, Pre-Production, Planning, Cinematography, Film Analysis, Key Concepts, Analysis, Posters, Representation, Audience, Film Theory, Film Language, Spectatorship Theory, Queer Theory, Auteur Theory, Theory
The Edusites programme of study for A Level Film has been designed to provide a Core Unit for each term to help students develop the right level of knowledge and understanding of the key critical approaches and all the framework concepts of narrative, genre, representations, and spectatorship. Our NEA Support Materials will focus on Making a Short Film for OCR NEA and Production for Eduqas NEA. Edusites A Level Film Programme of Study: Unit 1 Language+ OCR - click to view Unit 1 Language+…
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jclarke | Tuesday October 07, 2014
Categories: EDUQAS A Level, EDUQAS A2, Genres & Case Studies, Film Industry, World Cinema, A Level, Hot Entries, Film Distribution, Film Marketing, Films & Case Studies, Romance, Drama, Film Analysis, Analysis, Queer Theory, International/Non English Language
click on image to enlarge Introduction Happy Together is a feature film directed by Wong Kar-wai. It was released in 1997, the year that Hong Kong’s governance from Britain ended and governance from China began. The fact that Happy Together begins with passports being stamped might well resonate with Hong Kong audiences particularly with when the film was released. We might suggest that a passport is a very tangible symbol of national identity. The film is encoded throughout with images…
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