Viewing entries from category: Avant-Garde
The 400 Blows (Les quatre cents coups) Single Film Study »
Categories: OCR A Level, French New Wave, Avant-Garde, Drama, Crime, European Film, A Level, Film Analysis, Films & Case Studies, Genres & Case Studies, Analysis
YouTube Link: https://www.youtube.com/watch?v=gdXTtX_cz3s Copyright © 2017 Edusites. All rights reserved. Permission granted to reproduce for educational use within the subscribing school only. Copying or lending of any part of this document in any form or by any means to external bodies and / or individuals is prohibited. Introduction In studying a film that is widely regarded as a ‘classic’, there’s typically find a wealth of discourse about it and The 400 Blows…
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Spectatorship Experimental/Expanded Film: Meshes of the Afternoon & Tarnation »
Categories: EDUQAS A2, Theory, EDUQAS A Level, EDUQAS AS, Experimental, Avant-Garde, Documentary, Spectatorship Theory, Cinema Verite, A Level, Hot Entries, Audience, Film Analysis, Film Language, Representation, Genres & Case Studies, Analysis, Key Concepts
click on image to enlarge Definition and Introduction As one might expect the term experimental cinema is difficult to define clearly and by its very nature avoids simplistic categorisation. Within the movement itself there has been frequent debate over its definition. Fred Camper discusses experimental film-makers such as Peter Kubelka and Stan Brackage who questioned titles like ‘Avant-garde’ for suggesting experimental cinema is intrinsically European, ‘different…
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