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Viewing entries from category: Avant-Garde

The 400 Blows (Les quatre cents coups) Single Film Study »

jclarke | Wednesday May 23, 2018

Categories: A Level, OCR A Level, Analysis, Film Analysis, Films & Case Studies, Directors, Francois Truffaut, European Film, The 400 Blows (Les quatre cents coups), Genres & Case Studies, Avant-Garde, Crime, Drama, French New Wave

YouTube Link: https://www.youtube.com/watch?v=gdXTtX_cz3s Copyright © 2017 Edusites. All rights reserved. Permission granted to reproduce for educational use within the subscribing school only. Copying or lending of any part of this document in any form or by any means to external bodies and / or individuals is prohibited. OCR Film Studies Paper 1 Section B: European Cinema History This section focuses upon the study of at least two major European movements or stylistic developments in film…
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Spectatorship Experimental/Expanded Film: Meshes of the Afternoon & Tarnation »

Amy Charlewood | Tuesday November 19, 2013

Categories: A Level, EDUQAS A Level, EDUQAS AS, EDUQAS A2, FM4, Section B: Spectatorship Topics, Analysis, Film Analysis, Genres & Case Studies, Avant-Garde, Cinema Verite, Documentary, Experimental, Hot Entries, Key Concepts, Audience, Film Language, Representation, Theory, Spectatorship Theory

click on image to enlarge Definition and Introduction As one might expect the term experimental cinema is difficult to define clearly and by its very nature avoids simplistic categorisation. Within the movement itself there has been frequent debate over its definition. Fred Camper discusses experimental film-makers such as Peter Kubelka and Stan Brackage who questioned titles like ‘Avant-garde’ for suggesting experimental cinema is intrinsically European, ‘different…
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