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Viewing entries from category: Man With A Movie Camera

Man with a Movie Camera Single Film Study »

jclarke | Wednesday August 15, 2018

Categories: A Level, Eduqas (WJEC) A Level, Analysis, Film Analysis, Films & Case Studies, Directors, Dziga Vertov, World Cinema, Man With A Movie Camera, Genres & Case Studies, Documentary, Music

YouTube Link: https://www.youtube.com/watch?v=00ZciIC4JPw

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Component 2: Global filmmaking perspectives

For this component, learners must study:

  • two non - English language films, one...
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Documentary Definitions »

Richard Gent | Wednesday January 24, 2018

Categories: GCSE, A Level, Analysis, Film Analysis, Dictionary, Media & Film Studies Dictionary, Films & Case Studies, Non-Hollywood Films, Super Size Me, World Cinema, Man With A Movie Camera, Genres & Case Studies, Documentary, New Spec

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Realism: The ‘kind’ of reality produced by a media text

Mediation: The process whereby media texts select and construct the world through different techniques

Documentary encodes versions of reality that are mediated into our individual context. Realism is a term that does not always apply to what is actually real, but to degrees of realism and audiences’ expectations of reality.


Documentary Modes of Representation

In “Representing Reality,...

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International Film Styles: 1920s Soviet Cinema »

jclarke | Friday March 08, 2013

Categories: A Level, Eduqas (WJEC) A Level, WJEC A2, FM4, Section A: World Cinema, Analysis, Film Analysis, Film History, Film Industry, Film Distribution, Production Companies, Films & Case Studies, World Cinema, Battleship Potemkin, Man With A Movie Camera, Genres & Case Studies, Documentary, Realism, Social Realism, Soviet Montage

click on image to enlarge

Cinema is always evolving.

The constantly changing quality of film styles is exciting and since the beginnings of film history many nations around the world have developed their own distinct cinematic style and this continues today in the twenty-first century.

During the early part of the twentieth century one country that contributed very significantly to the development of early cinema, was Russia and now, in 2013, almost...

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Man with a Movie Camera Case Study »

Rob Miller | Tuesday November 01, 2011

Categories: A Level, Eduqas (WJEC) A Level, WJEC A2, FM4, Section A: World Cinema, Analysis, Film Analysis, Films & Case Studies, World Cinema, Man With A Movie Camera, Genres & Case Studies, Classic, Documentary, Independent, Silent

Spectatorship and Documentary

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Synopsis and Character Profiles

Man with a Movie Camera is an innovative silent 1929 Documentary, set in a number of cities in the Soviet Union, including Odessa (near where Eisenstein shot the iconic Odessa Steps sequence in Battleship Potemkin). Fundamentally, and on a manifest level, it is about a day in the life of a city and audiences are introduced to a city literally waking up – individuals washing and bathing, Tram...

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