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Viewing entries from category: Les Quatre Cents Coups

OCR A2 Film Sec A Messages and Values in Global Film: Battleship Potemkin & Les Quatre Cents Coups »

Rob Miller | Tuesday September 15, 2015

Categories: A Level, OCR A Level, OCR A2, Analysis, Film Analysis, Films & Case Studies, World Cinema, Battleship Potemkin, Les Quatre Cents Coups, Genres & Case Studies, Crime, Drama, History, War

1. How is style and theme used in communicating messages and values in the films you have studied? (50) The two films I have studied are Sergei Eisenstein’s Battleship Potemkin from 1925 and Francois Truffaut’s Les Quatre Cents Coups (The 400 Blows) from 1959. Both films are encoded with a filmmaking style that both reflects a period in cinematic history and also with narrative themes deeply embedded revealing underlying messages and values. ‘Potemkin’ is considered a classic of 1920s…
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European Film Movement: French New Wave »

jclarke | Thursday March 21, 2013

Categories: A Level, EDUQAS A Level, EDUQAS A2, FM4, Section A: World Cinema, Analysis, Film Analysis, Film History, Cinema in Context, Film Industry, Film Distribution, Production Companies, Films & Case Studies, World Cinema, Un Bout de Souffle, Les Quatre Cents Coups, Genres & Case Studies, French New Wave, Key Concepts, Audience, Film Language, Representation

In 1950, when he was only nineteen years old, Jean-Luc Godard, one day to become one the great filmmakers, wrote a piece for the French publication Gazette du Cinema called Towards A Political Cinema. Even at this young age, Godard was aware of cinema’s power to communicate ideas. Jean-Luc Godard examines a strip of film: Film history describes a wide range of film movements that have each had an often-short lifespan that’s been quite specific but the legacies of which have endured.…
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