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Viewing entries from category: Key Skills

New Spec A Level Film Studies »

Barry Rainsford | Friday October 13, 2017

Categories: A Level, OCR A Level, WJEC A Level, Film History, Film Industry, Films & Case Studies, American, Directors, Hollywood Films, Non-Hollywood Films, World Cinema, Genres & Case Studies, Key Concepts, Key Skills, Overviews, Theory

We are aware that some specifications are currently being accredited by Ofqual.

At Edusites we don’t like to keep our subscribers in limbo so here is Unit 1 of 6 new resources for the A Level Film Studies Specification.

These resources are flexible for the first term when you don’t have to choose which exam board you are pursuing.

Each term we provide a Core Unit, Exam Unit and NEA Unit based on the Department for Education Film Studies A Level subject content. (February 2016)

The intention of the course of study is to enable learners to demonstrate knowledge and...

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WJEC AS Film Studies FM1 Exploring Film Form Scheme »

Rob Miller | Thursday July 16, 2015

Categories: A Level, WJEC A Level, WJEC AS, FM1, Analysis, Film Analysis, Film Opening Analysis, Macro Analysis, Micro Analysis, Shot Analysis, Films & Case Studies, Hollywood Films, Grand Budapest Hotel, Gravity, Skyfall, The Shining, Up, Non-Hollywood Films, Submarine, Hot Entries, Key Concepts, Genre, Narrative, Representation, Key Skills, Cinematography, Editing, Filming, Mise-en-Scene, Planning, Pre-Production, Reflective Analysis, Production Zone, Moving Image Production


  • Analysis of a 3-5 min Film Extract – Mise-en-Scene, Cinematography and Editing only: (30 Marks)
  • Creative Project – Planning, Producing and Editing a 2 min approx. film sequence of between 10-25 shots (50 Marks)
  • Reflective Analysis – (10 Marks)

Edusites Film recommends a logical time to introduce the FM1 coursework is in week 6, the second week in October, 1 week before the Half Term. By then, students will have learnt skills of textual analysis in regards to micro and macro features and be fully aware of the requirements of the subject (film analysis is a...

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