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Viewing entries from category: Submarine

WJEC AS Film Studies FM1 Exploring Film Form Scheme »

Rob Miller | Thursday July 16, 2015

Categories: A Level, WJEC A Level, WJEC AS, FM1, Analysis, Film Analysis, Film Opening Analysis, Macro Analysis, Micro Analysis, Shot Analysis, Films & Case Studies, Hollywood Films, Grand Budapest Hotel, Gravity, Skyfall, The Shining, Up, Non-Hollywood Films, Submarine, Hot Entries, Key Concepts, Genre, Narrative, Representation, Key Skills, Cinematography, Editing, Filming, Mise-en-Scene, Planning, Pre-Production, Reflective Analysis, Production Zone, Moving Image Production

Overview

  • Analysis of a 3-5 min Film Extract – Mise-en-Scene, Cinematography and Editing only: (30 Marks)
  • Creative Project – Planning, Producing and Editing a 2 min approx. film sequence of between 10-25 shots (50 Marks)
  • Reflective Analysis – (10 Marks)

Edusites Film recommends a logical time to introduce the FM1 coursework is in week 6, the second week in October, 1 week before the Half Term. By then, students will have learnt skills of textual analysis in regards to micro and macro features and be fully aware of the requirements of the subject (film analysis is a...

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WJEC AS Film Studies FM1 Exploring Film Form »

Rob Miller | Friday March 14, 2014

Categories: A Level, WJEC A Level, WJEC AS, FM1, Analysis, Film Analysis, Films & Case Studies, Non-Hollywood Films, Submarine, Hot Entries, Production Zone, Audio Production, Moving Image Production, Print Production

Overview

  • 20% of A Level Qualification, 40% of AS
  • An Analysis of a Film Extract: (30 Marks)
  • Creative Project: (40 Marks)
  • Reflective Analysis: (10 Marks)

FM1 Unit Introduction

WJEC: “This unit focuses on the micro features of film and the construction of meaning and emotion”. Macro features form the basis for the examined AS module, FM2 although it is accepted by the exam board that it is often difficult to separate macro features narrative and genre from a micro analysis. In this regard, linking two should be encouraged and not repressed e.g. “the sequence in Moulin...

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