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Viewing entries from category: Cinéma Vérité

Spectatorship Experimental/Expanded Film: Meshes of the Afternoon & Tarnation »

Amy Charlewood | Tuesday November 19, 2013

Categories: A Level, WJEC A Level, WJEC AS, WJEC A2, FM4, Section B: Spectatorship Topics, Analysis, Film Analysis, Genres & Case Studies, Avant-Garde, Cinéma Vérité, Documentary, Experimental, Hot Entries, Key Concepts, Audience, Film Language, Representation, Theory, Spectatorship Theory

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Definition and Introduction

As one might expect the term experimental cinema is difficult to define clearly and by its very nature avoids simplistic categorisation. Within the movement itself there has been frequent debate over its definition. Fred Camper discusses experimental film-makers such as Peter Kubelka and Stan Brackage who questioned titles like ‘Avant-garde’ for suggesting experimental cinema is intrinsically European, ‘different cinema’ was used for a while but rejected for sounding like it’s at odds with ‘normal cinema’ and even...

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