Richard Gent | Friday January 26, 2018
Categories: IB Film, IB, IB Film Resources, Analysis, Film History, Film Industry, Films & Case Studies, American, Hollywood Films, Non-Hollywood Films, Silent Era, World Cinema, Genres & Case Studies, Key Concepts, Audience, Film Language, Genre, Narrative, Representation, Key Skills, Research, Film Research, Theory, Auteur Theory, Film Theory, Queer Theory, Spectatorship Theory
So what do we need to do for students and teachers to perform brilliantly? Our resources are a guide to producing critically autonomous students who gain a wide range of skills in the study of film and truly make the transition from film fan to film student. Reading film Examine film as an art form, studying a broad range of film texts from a variety of cultural contexts and analysing how film elements combine to create meaning. Contextualising film Explore the evolution of film across time and…
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Barry Rainsford | Wednesday September 13, 2017
Categories: A Level, OCR A Level, EDUQAS A Level, Analysis, Film Analysis, Film Industry, Films & Case Studies, Key Concepts, Audience, Film Language, Genre, Narrative, Representation, Key Skills, Cinematography, Editing, Filming, Mise-en-Scene, Planning, Pre-Production, Reflective Analysis, A Level Film, Posters, Theory, Auteur Theory, Film Theory, Queer Theory, Spectatorship Theory, Theorists
The Edusites programme of study for A Level Film has been designed to provide a Core Unit for each term to help students develop the right level of knowledge and understanding of the key critical approaches and all the framework concepts of narrative, genre, representations, and spectatorship. Our NEA Support Materials will focus on Making a Short Film for OCR NEA and Production for Eduqas NEA. Edusites A Level Film Programme of Study: Unit 1 Language+ OCR - click to view Unit 1 Language+…
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Richard Gent | Monday September 11, 2017
Categories: A Level, OCR A Level, EDUQAS A Level, Analysis, Film Analysis, Film History, Film Industry, Films & Case Studies, Genres & Case Studies, Key Concepts, Audience, Film Language, Genre, Narrative, Representation, Key Skills, Cinematography, Editing, Filming, Mise-en-Scene, Planning, Pre-Production, Reflective Analysis, A Level Film
Would you like to see an example of an A Level Film Lesson from Edusites Film? Below is a link to a single lesson online slide show focusing on Cinematography using The Bourne Identity. The Cinematography lesson from both the teacher guide (scheme of learning) and student workbook are below to illustrate the breadth and depth of the resources being published on Edusites Film. Film Representation Unit 2 Lesson 17: 12 Slides For fast and optimum viewing use Safari, Firefox or Internet Explorer…
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Emily Prentice | Sunday October 16, 2016
Categories: IB, IB Film Resources, Film History, Film Industry, Key Concepts, Audience, Film Language, Genre, Narrative, Representation, Key Skills, Cinematography, Editing, Filming, Mise-en-Scene, Planning, Pre-Production, Reflective Analysis
All work refers to the Edusites Lesson Resource Slides Pack. Lesson One: The Tool Kit 13 Slides Objectives Knowledge : To start acquisition of the Film Studies Film Language tool kit Learning : To build ideas of how to study film through its products Understanding : To consolidate understanding by completing analysis of products Starter/Loop Activity (5 minutes) Slide 3 Task 1A Pupils asked to respond to the task from the Lesson Resource: Analysis of film still of Will Smith. Students to write…
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Barry Rainsford | Sunday January 24, 2016
Categories: A Level, EDUQAS A Level, Analysis, Film Analysis, Key Concepts, Representation, Key Skills
Copyright © 2017 Edusites. All rights reserved. Permission granted to reproduce for educational use within the subscribing school only. Copying or lending of any part of this document in any form or by any means to external bodies and / or individuals is prohibited.This is the Second A Level Unit To Film Students This booklet is to support you in your preparation for the A Level Film Studies Examination Papers 1 and 2 and the Non-Examination Assessment. This workbook comprises the theory and…
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Barry Rainsford | Sunday January 24, 2016
Categories: A Level, EDUQAS A Level, Analysis, Film Analysis, Key Concepts, Representation, Key Skills
Guide Navigation Eduqas (WJEC) 603 A Level Film Unit 2 Film Representation+ SOL Teacher Lessons 1-15 Lesson Sixteen: Ideology Slides 1-9 Objectives Knowledge : To review understanding of the film framework Learning : To build ideas and strategies of how to study film Understanding : To link knowledge and learning by completing analysis tasks Starter/Loop Activity (5 Minutes) Slide 2 Task 16A Students asked to respond to the task from the Lesson Resource: Analysis of Bonnie and Clyde still.…
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Barry Rainsford | Sunday January 24, 2016
Categories: A Level, EDUQAS A Level, Analysis, Film Analysis, Key Concepts, Representation, Key Skills
Guide Navigation Eduqas (WJEC) 603 A Level Film Unit 2 Film Representation+ SOL Teacher Lessons 16-26 This is the Second A Level Unit The purpose of this unit is not to tell anyone ‘what you must do’ or ‘this is the way that you must do it’. The work here is based on over twenty years of teaching Film Studies at A Level in a very large (2,500 pupils) urban comprehensive in what was once described as one of the most deprived areas in the UK. It is based both on my own teaching and in…
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Richard Gent | Monday January 18, 2016
Categories: A Level, OCR A Level, Analysis, Key Concepts, Representation, Key Skills
Guide Navigation OCR H410 A Level Film Unit 2 Film Representation+ SOL Teacher Lessons 1-15 Lesson Sixteen: Ideology Slides 1-9 Objectives Knowledge : To review understanding of the film framework Learning : To build ideas and strategies of how to study film Understanding : To link knowledge and learning by completing analysis tasks Starter/Loop Activity (5 Minutes) Slide 2 Task 16A Students asked to respond to the task from the Lesson Resource: Analysis of Bonnie and Clyde still. Students to…
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Barry Rainsford | Monday January 18, 2016
Categories: A Level, OCR A Level, Analysis, Key Concepts, Representation, Key Skills
Guide Navigation OCR H410 A Level Film Unit 2 Film Representation+ SOL Teacher Lessons 16-26 This is the Second A Level Unit The purpose of this unit is not to tell anyone ‘what you must do’ or ‘this is the way that you must do it’. The work here is based on over twenty years of teaching Film Studies at A Level in a very large (2,500 pupils) urban comprehensive in what was once described as one of the most deprived areas in the UK. It is based both on my own teaching and in leading…
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Rob Miller | Thursday July 16, 2015
Categories: A Level, EDUQAS A Level, EDUQAS AS, FM1, Analysis, Film Analysis, Film Opening Analysis, Macro Analysis, Micro Analysis, Shot Analysis, Films & Case Studies, Hollywood Films, Grand Budapest Hotel, Gravity, Skyfall, The Shining, Up, Non-Hollywood Films, Submarine, Hot Entries, Key Concepts, Genre, Narrative, Representation, Key Skills, Cinematography, Editing, Filming, Mise-en-Scene, Planning, Pre-Production, Reflective Analysis, Production Zone, Moving Image Production
Overview Analysis of a 3-5 min Film Extract – Mise-en-Scene, Cinematography and Editing only: (30 Marks) Creative Project – Planning, Producing and Editing a 2 min approx. film sequence of between 10-25 shots (50 Marks) Reflective Analysis – (10 Marks) Edusites Film recommends a logical time to introduce the FM1 coursework is in week 6, the second week in October, 1 week before the Half Term. By then, students will have learnt skills of textual analysis in regards to micro and macro…
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